There is a visitor from Singapore searching for “private
chinese antics collectors in Singapore” and my only answer is that I have not
heard of any. South East Asian Ceramic Society was founded by some people in
Singapore and Malaysia then. However I
would treat case to case by trying to search for collectors in this not only in
Singapore, Malaysia but elsewhere like Hong Kong and China. The saying goes
“among the blind, the one with the one eye is the king” with so far no good
knowledgeable collector has been found. Another two visitors from Kuala Lumpur
with one searching for “nyonya ware prices” and the other searching for
“antique Malaysia”. Nyonya ware prices depends on Bandung nyonya ware or Jing
dezhen nyonya ware and also the items like saucer, spoons to tell the price and
not just guessing. It is easy to give a price without looking at the items
anything below Rm5/-. Antique Malaysia may have been there for a long time but
no longer existing, failure due to collectors’ attitude. Many claimed to be
mighty but doesn’t know how to authenticate their own items and wanted to claim
that dealer is selling Bandung copies or fakes which is commonly spread around.
Many collectors have claimed to be good and when question on
the judgement in authenticity most of them fail. I do not want to share this
kind of action and I have mentioned in my earlier blog about knowledgeable
collectors which means any persons who can give good answer or answers to the
judgement in genuine or fake artefacts.
Being a dealer is a problem because if you tell customers
that this is of this age and straight away got a shout at as bullshit which
makes dealers do not know what collectors wanted. The sale condition “Take
Notice Goods Sold are not returnable but returnable on the condition that the
Goods Mentioned above are proved that they are modern copies. The proofs must
be sufficient and must have written remarks from experts.” is to protect the
buyers/collectors and dealers from being cheated and also to help collectors to
be more knowledgeable in authentication by writing down the characteristics on
the artefacts or keeping journals for their items but was totally ignored. Collectors
prefer to buy with “rumour buy, rumour sell. The balls are all in the
collectors’ court. Antique dealers find this business difficult because profits
to cover overheads made it very difficult to sustain. At present collectors
from the People’s Republic of China has been searching for reliable dealers and
many has been visiting Malaysia with the view to buy good Chinese antique
porcelain which was sold out once upon a time to be taken back to China.
Many years ago I
tried to get rid of the genuine and fake problems but was looked down by local collectors
and experts. With the long existing problems bringing me down I would not want
to burden myself with wanted things anymore. At the food court in Taman Desa, I
met a man call Johnny who also sells antiques and I invited him to join me for
tea and I told him how to authenticate porcelain and why are old porcelain
items worth collecting, he was so happy that in return let me know that
somebody told him that I am a proud and arrogant chap, I then told him that why
are we talking for hours if I have been arrogant type, he smiled and after all
the truth has prevail and I am not interested who that liar is after all I have
met up with many liars including collectors and experts who are liars in
authenticating Chinese Antique Porcelain. Experts who cannot tell genuineness
can only say “imitations can be made exactly the same as originals” which means
they are condemning the items in the museum. The word “Ming” character in
Chinese was said to be wrongly written in http://www.taimantis.com/chinese/fakes.html#UPD
and the wrongly written Chinese character was found in one Ming dynasty piece
belonged to Mrs. Alfred Clark and also a piece in a museum in Paris which I do
not know whether is the same piece that is ex- Mrs. Alfred Clark. I am yet to
find out whether the piece is genuine or fakes because I have my ways to find
out instead to jump in wrong conclusion. Artists can paint beautiful motives
but may not be good at writing beautiful Chinese characters. This was shown in
a book that finely written Chinese characters in reign marks was also copied
later or by Japanese potters.
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